Sick new mini simmons coming from Gold Coast shaper Jesse Watson of Black Apache Surfboards
Archive for the 'Surfing' Category
I want to surf like him.
Another great interview via Glenn Sakamoto at Liquid Salt Magazine
Skip Frye is a leg endary surfer/shaper from the San Diego area of Cal i for nia. Skip is well known for his smooth style, affa ble per son al ity, and his tremen dous skill as a shaper. We spoke with Skip to learn about his life and love of surfing.
What was your child hood like?
I grew up in San Diego when it was small and quiet. I lived east of Mis sion Bay right on the edge of jackrab bits and horned toads before a tract of homes were built in my teenage years. As South ern Cal i for nia grew up, a lot of the wildlife was elim i nated. We really didn’t do any thing excep tional. Just the stan dard stuff like camp ing with my folks in the sum mer. The Boy Scouts and the YMCA were great train ing in swim ming that I could lean on and are impor tant for young peo ple who have an aspi ra tion to doing the surf ing thing.
When did you start surf ing?
In the spring of 1958. I am in my 52nd year of surf ing! It’s hard to believe, man – I don’t know where it went. It just went by.
Do you remem ber the first time you stood up on a board?
Pacific Beach. I had a friend who loaned me a balsa board. This was a year or two pre ced ing the advent of foam. The feel ing was unbe liev able – that’s why I’m still doing it! (laughs) It just grabbed me. I never really had some thing I really grav i tated to before. As soon as I stepped on a surf board – that was it.
What is it about surf ing that appeals to you?
Rid ing Mother Nature. The ocean. Just the fresh ness of it. It’s such a unique thing. Even to this day, I am still in awe and won der when I am watch ing some one slide down the face. I still get amazed by it.
Who did you look up to and admire when you were a young boy?
Mike Hyn son. I grew up with him and we were best bud dies. He actu ally shaped my boards for three or four years before I learned the craft and started doing it myself. He was a real go-for-it guy. A real for ward thinker and he always wanted to know what was going on and was into meet ing the who’s who of the sport. I was a wall flower, a shy kind of per son so I kind of tagged along with him. Because of him, I was exposed to the great peo ple and places in surf ing. I owe a lot of my expo sure to surf ing to Mike Hynson.
My first real influ ence as far as a hero goes, would be Dewey Weber. He was flam boy ant and flashy and quick. But prob a bly the main influ ence would be Phil Edwards. In fact, every body glob ally was influ enced by the way Edwards rode. He was also com plete in that he surfed and shaped.
There were other peo ple that came along,too. There were the Hawai ians like Paul Strauch. He was my favorite surfer of that time period. He’s still an avid surfer over at San Onofre with the Hawai ian Surf Club over there. He and Joey Cabell were two of the main peo ple from Hawaii that I really liked to watch and learn from. And George Down ing def i nitely. Down ing was a lit tle older than I was and I didn’t really expe ri ence him when I was in the islands, but I know of him and his influ ence. I really respect him as much as any body in the sport for his contributions.
hat is the great est thing you have learned in your life?
The great est thing I have learned in my life would prob a bly be my rela tion ship with Jesus Christ. The real ness of who He is, and what He is and His influ ence in my life. That’s it – there is noth ing else that is even close.
What are you most proud of?
I’ve been blessed. God gave me a rela tion ship with the ocean and I am blessed in spite of my early behav ior. My first mar riage suf fered because surf ing inter fered with my work ethic. I had to re-learn what my pri or i ties are in my life. Now, I try to reflect God’s love and light with every thing around me. It’s not easy – human nature goes against all of that. The water is a great way of see ing all of that. Like a crowded day at Mal ibu. (laughs)
Tell us about term “aloha”
It’s get ting more and more crowded out there every day as the sport grows by leaps and bounds. We have to learn about the aloha spirit. One thing that goes against that is com pet i tive surf ing. It’s in the media fore front so to a lot of peo ple that are in the water – they act like it’s a heat.
I used to com pete and in fact I have ben e fited from com pet ing in two dif fer ent eras. But I am not so much into that any more. I don’t really attend any of the com pet i tive for mat things just because I just don’t like that aspect of surf ing. I just like it when you go out with your friends and have fun and every body is num ber one. In the com pet i tive for mat, there is only one per son that really feels good about it.
How impor tant is style?
To me, I was nur tured that way through my surf ing. I just tried to emu late the peo ple that were styl ish and had style. I really think that no mat ter what you are doing or how you are doing it, as long as you are hav ing fun in the water. To me, the best per son is the one that is hav ing the most fun. You don’t nec es sar ily have to be stylish.
It’s the guys that are really flow ing with the ocean and are really smooth are the kind of peo ple I like to look at. Edwards, Hyn son, Cabell, and Dora. And Strauch in the islands – oh, those were the years! Unbe liev able. So flow ing and smooth and beau ti ful to watch.
Who do you feel are shap ing the path for surf ing today?
You got to go to Joel Tudor. A lot of the style and artic u la tion of a surf board with the surfers of the 60s – has kind of been lost. Tudor was one of the first guys in the mod ern era. I really enjoyed his whole pres ence in the water and his approach. Jimmy Gam boa of Mal ibu is really smooth, a lot of surfers at San Onofre like Colin McPhillips – I like his approach and atti tude. We also got a young guy here, Josh Hall – I really like his approach.
What about up and com ing shapers?
Josh Hall. Jeff McCol lum. Michael Miller. These young guys are together. Way more together than I was at their age! And espe cially in this day and age with every thing – soci ety being the way it is. It’s pretty excit ing to see the way these guys are honed in.
What’s your favorite board these days?
The 11 foot ers. It was March of ’90 when I first crafted those blanks. It was the most stoked I have ever been – just the speed and glide on those boards was such a feel ing. It is the 20th anniver sary since mak ing those boards.
What was the inspi ra tion behind your famous winged logo?
I think I saw it in a mag a zine. Duke (Kahanamoku) had shaped this one red wood board that had a “V” with wings that were com ing off of it that was chis eled into the deck. I worked at Gor don and Smith learn ing my craft and in ’66 I wanted to make a model. It was the model era – every one had to have a model. The graphic artist at the time was an older lady. I told her to draw me up some wings and that what she came up with. I’ve had it ever since. I think it con veys what surf ing is – like fly ing along. And I’ve always been told I surf like a pelican!
What kind of music do you lis ten to?
Well there are two gen res of music that I like a lot. One of them is gospel – the African-American por tion of it. I actu ally spon sor a gospel radio sta tion, 1040 AM in San Diego. This sta tion keeps my faith. And I also like the energy that is in the African-American churches.
I actu ally got in trou ble when I was being interviewed and I should have answered the Beach Boys but that never really did any thing for me. It was always Otis Red ding or Wil son Pick ett. And James Brown was the ulti mate. The other genre that is my favorite is Afro-Latin, or Cuban music. Peo ple like Pan cho Sanchez or Tito Puente. Tito Puente was always a favorite. In fact, the day my shop closed, he died.
Of all the places you’ve been, which is your favorite and why?
I’ve got ten to go to a lot of places. I like the Caribbean a lot. I got to go to Puerto Rico for a World Con test back in ’68. Aus tralia and New Zealand are fan tas tic. New Zealand espe cially because the peo ple are the most hos pitable I have ever encoun tered. I’ve been to Costa Rica. And I want to get over to Hawaii before I get too old and surf Waikiki on a big board at all the breaks. On a big board it would be epic. Like the Duke.
What’s your favorite meal?
I like Mex i can food a lot but I’ve been try ing to eat a lit tle health ier. I eat sal ads a lot. I like sushi. You know, you get to a cer tain age and your weight becomes a prob lem. If I didn’t have to watch my weight, it would prob a bly be a cou ple of beef tacos and a bean and cheese bur rito! (laughs)
What’s next for Skip Frye?
Just keep doing what I am doing. Surf ing and shap ing. Get ting closer to God. I’ll be 70 in lit tle over a year and just want to live out my life in the right way.
Pho tos of Skip Frye pro vided by the mak ers of the film One California Day.
Nathan Oldfield shot of Dane Peterson.
via Drift Surfing
July 22, 2010 – Save The Waves Coalition, in partnership with National Surfing Reserves Australia and the International Surfing Association, is proud to announce the forthcoming dedication of iconic Malibu Surfrider Beach as the first World Surfing Reserve.
The enshrinement ceremony for the Malibu World Surfing Reserve will be held at Surfrider Beach on October 9th. There will be a paddle-out celebration, daytime media event, and evening fundraiser to celebrate this special occasion. The October 9th event will also mark the commencement of a stewardship and preservation plan for Malibu aimed at building general awareness around the importance of protecting the world’s greatest, most cherished surf spots.
Malibu is California’s definitive pointbreak and one of the world’s first ‘perfect waves’. Following World War II, Malibu helped established directions in technology, surfing style, and the image of the sport that are still followed today. It remains a transcendent name: included in more than 75 surfing films, representative of a Southern California lifestyle, and represented by name on any number of products and businesses.
A Local Stewardship Council, made up of community members intimately familiar with and dedicated to surfing at Malibu, will be responsible for implementing the stewardship plan to protect Malibu’s environmental, cultural, social and economic benefits. Confirmed members of this Council include local surfing legends Allen Sarlo, Andy Lyon, and Steven Lippman, as well as community members Bill Parr and Michael Blum. Honorable Mayor of Malibu Jefferson Wagner, also known as Zuma Jay, has also voiced his enthusiastic support of the initiative. More stewards will be announced soon.
“The WSR program, inspired by UNESCO’s World Heritage Sites, helps the surfing community to identify and preserve surfing heritage through their important surf breaks. Malibu makes any short list of the world’s most famous beaches, and remains a reference point for much of what we think of as style in or out of the water,” stated Michael Blum, President of the Malibu Surfing Association and a member of the Malibu World Surfing Reserve Local Stewardship Council.
Ross Mirkarimi, a California Coastal Commissioner, political leader and early advocate for World Surfing Reserves, announced: “Earlier this year, California took a leadership role to protect iconic surf spots through the California Coastal Commission’s adoption of an important resolution supporting World Surfing Reserves. I am delighted to see this program move forward as it will benefit not only surfers but also the greater coastal community.”
This designation of Malibu is the first in a series of World Surfing Reserves planned for the iconic surfing coastlines of Australia, Hawaii and numerous other areas worldwide. World Surfing Reserves are nominated through a selection process and currently there are dozens of proposed WSRs covering nearly every continent on the planet.
World Surfing Reserves are produced through a partnership of Save The Waves, National Surfing Reserves Australia, the International Surfing Association (ISA) and Stanford University’s Center for Responsible Travel (CREST).
For more information, please visit: worldsurfingreserves.org
Sage Joske on the Alaia/Fish Hybrid
Published 16/07/2010 Alaia , Sage Joske , Surfing Leave a CommentThere are some amazing boards in this video!
One month and counting…
For more info check out http://surfridergct.org , Facebook.com/Surfridergct , Twitter.com/Surfridergct
Check out a review of Taylor Steele’s Casltes in the Sky at Drift Magazine here.
The Malloys, Wayne Lynch, Liz Clarke and others travel to Indo to flight test Chouinard sticks. What you would expect from an Indo trip, hollow barrels in six inches of water, sun and blue sea. Worth watching – watch it here.
The Surfrider Foundation Board Swap at Currumbin Alley was a huge success, as hundreds of surfers, from Byron Bay to Brisbane, gathered to swap their old boards. The event went so well, that we hope to make it an annual event on the Gold Coast.
Follow Surfrider Foundation Gold Coast Tweed:
Joe Conway at Drift Surfing Magazine has a sweet interview with Taylor Steele about his new film, Castles in the Sky.
When it comes to influential surf filmmakers, everyone gets in line behind Taylor Steele. In less than a week, he’ll premiere his latest film Castles in the Sky, an extension of his “journey over destination”Sipping Jetstreams series, at Tribeca Cinemas in New York.
Drift managed to catch up with Taylor in the midst of the buzz and insanity that precedes any film premiere in the city that never sleeps.
Drift: You’ve bucked tradition with The Drifter and now Castles in the Sky by holding the US/world premieres in New York—any particular reasons why?
Taylor Steele: For the Drifter premiere, we had the chance to be a part of the New York surf film festival which is a great event. I love New York for it’s energy and inspiration and it felt like a natural location for the premiere ofCastles. The locations in the movie have a strong identity and culture, so what could be a better fit than NY.
What does progression mean to you today? You’re known for pushing the threshold in terms of the surfing you document, the locations, your filmmaking process—even down to the music you use. Do all those aspects always move in sync naturally?
Thank you for the compliment. Progression to me is just pushing the limits and boundaries of what we have done before: where we travel to, technology, the surfing. Trying something new and different is always progression. Learning from our mistakes, learning from other cultures. No, they don’t sync up naturally, it definitely takes some blood, sweat and tears from all involved. The surfers also put in a lot of work on my projects and they are always pushing the threshold.
It seems like The Drifter, the Sipping series and now Castles in the Sky are based on a thematic progression, too, almost like a challenge to surfers or the surfing community as a whole. Is it a conscious effort to get people to question the way they travel or live?
Travel has shaped and influenced me as a person. There is a lot to learn from other cultures. Our biggest world problems stem from being too self-centered–living in our little fish bowl. I am like most and am still trying to learn to think about the big picture on a daily basis. Yet the more people I meet it helps me think about the effects of my choices. I hope from my movies inspire people to travel and learn so that they can bring it back. It’s not a challenge but hopefully it inspires people visually to out there and experience as much as they can.
What do you say to the detractors who say that’s a ploy or a gimmick?
My main inspiration for these movies is my two daughters. I want them to watch these movies and feel excited about the world and not intimidated or in fear.
Were there particular experiences from the making of Sipping that inspired you guys to go even further with Castles?
Sipping truly changed my life. It inspired a move of my family to Indonesia and to continue to travel with two kids in tow. It made me really want to learn and experience new places. On most trips we would have these moments that felt so foreign and removed from home that it felt like we were seeing the world with new eyes. That was the goal moving forward. So we thought about that when we chose locations. Each had to feel like nowhere else we have been. We are inspired to bring that out in film.
Do you just score everywhere you go, every time you go? Exactly how challenging have the “off the radar” spots been to document—both in terms of waves and general hardships?
It’s hard to score in some locations as roads don’t follow the coast and it requires a lot of driving, exploring and dead ends. It gets tough when you’re searching for waves and the swell is up. You can almost hear the clock ticking.
Any hard-earned travel secrets you can share with Drift readers?
If you smile then people will smile back 99 times out of a 100. Most people are just like us and are as curious about us and our culture as we are about theirs. Oh yes, and make sure you have the proper paperwork to shoot in Morocco before you end up at the airport.
To wrap things up, how’s Innersection.tv coming along? You’re blazing new trails with a crowd sourced video—do you think the experience will end up influencing your own filmmaking at all?
On an immediate level its already inspiring new relationships in terms of surfers to work with and filmers to collaborate with on future projects. I have seen some cool new styles and it’s just starting. I’m excited to work with the final 20 on their parts and I’m sure I’ll be able to learn as much from them as they can from my experiences. I can’t wait till year 5.
Thanks Taylor—
Thank you!
Tickets to the first two screenings at the premiere are sold out, but a third screening has been added. Visit theNY Surf Film Fest site or CastlesintheSky.tv for more info.
Surfing legends Chris and Keith Malloy have spent years travelling around the world looking for the best undiscovered surfing spots. From Antarctica to Iceland and from Galapagos to New Caledonia, no matter how remote the place was, plastic was already there.
Great photo sequence of Issac Blyth sliding on Tom Wegener’s new eps alaia hybrid.
Thanks Nathan Oldfield for a beautiful photo.
Recycling Surfboards a Swell Idea
Published 22/04/2010 Surfing , Surfrider Foundation Leave a CommentHere is the front page story that the Tweed Echo Newspaper did on Surfrider.
| Written by Tania Phillips | |
| Thursday, 22 April 2010 |
Surfriders Foundation Gold Coast-Tweed branch president Adam Feichtmann, front, and Chris Payne, president of Kirra Boardriders, background, at Currumbin Alley where the board swap will take place. Photo Jeff ‘Bored’ Dawson
They say one man’s trash is another man’s treasure and the Gold Coast-Tweed Branch of the Surfriders Foundation believe that extends to surf boards too.
Branch president Adam Feichtmann has come up with the concept of ‘boardswapping’ based on an idea from his native country.
The southern Californian-born surf activist is encouraging all surfers across the Tweed-Gold Coast region to come along to Currumbin Alley on Saturday, May 1 with any old boards they don’t want and swap them with their mates.
Surfrider Foundation is a not for profit organisation dedicated to the protection and enjoyment of the world’s oceans, waves, and beaches for all people, through Conservation, Activism, Research and Education (CARE)
Adam said the event, from 9am to midday, aims to ‘highlight the beauty of reducing, re-using, and recycling surfboards in a city obsessed with the consumption of new surfboards’.
‘I heard of a similar event in the US six months ago and thought it was a great idea. The idea is simple, if someone has an old board sitting in the house that they are not using they can bring it along and swap it with someone else!’
He said the aim was to help conserve resources and reduce landfill (where old boards may have ended up).
The board swap isn’t restricted to one type of board, with surfers being encouraged to bring along short and long-boards of all types and ages.
Surfers just need to come along and register on the day and they will then be talked through the process and at the end they will have a new board without spending hundreds of dollars or adding to pollution, waste or landfill.
Adam, who ironically sold all his old boards at a garage sale before he moved back out to Australia several months ago, said there had already been a lot of interest in the event from surfers along the Tweed and Gold Coast.




















